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Alexandre de Riquer. Anyoranses. Barcelona : A. Verdaguer, 1902

Crisantemes and Anyoranses, on the other hand, are totally coherent in their effect. The stylised decorativism of the illustrations, the integration of text and image, the asymmetrical positioning of the print on the page, the small oblong format itself, all combine to make these exquisite models of Art Nouveau aesthetics in book production, wherein refinement of design reflects the preciousness of the writing.”

Eliseu Trenc Ballester, Alan Yates. Alexandre de Riquer (1856 - 1920): the British connection in Catalan Modernisme. Glasgow: The Anglo-Catalan Society, 1988 (p. 34)