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Emil Ruder. Die Zeitung. Basel: Gewerbemuseum, 1958

Ruder designed mainly in the cultural domain; within his prodigious body of work are many books of art and literature and posters and catalogs for exhibitions. Based on modernist aesthetics, Ruder's unusual atypical design -particularly his book design- was criticized for its depature from convention, but Ruder never halted in his journey towards innovation.”

 

Helmut Schmid (ed.). Ruder typography, Ruder philosophy. Zürich: Lars Müller, 2017 (p. 90)

(p. 9)