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The Face, nº 55, November 1984
“Brody viewed the magazine as a dimensional object existing in time and space and having a continuity from issue to issue. This continuity was explored when graphic elements such as the contents page logo were deconstructed into abstract glyphs over several months.”
Philip B. Meggs. A history of graphic design. 2nd ed. New York: Van Nostrand Reinhold, 1992 (p. 466)
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